I run a team of artists who prep sequences for Jim to shoot on camera and get those sequences out the door to Weta.
What's challenging about your job?
We take every piece from all the departments and do our best to make sure that it is the perfect representation of what Jim wants to shoot.
What’s surprising about your job?
The fact that our team works with all the departments. It's an intense experience that cannot be found anywhere else.
Most exciting thing about working on the sequels?
It is the people I get to work with — we all become a part of Jim's vision on the big screen and to this family, it means a lot.
First job in film?
I was a previs artist on The Day After Tomorrow and learned that my cameras could make it to the big screen!