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Reza Amidi

Render Wrangler

Tehran, Iran

I monitor and manage the render queue and nodes in both Los Angeles and New Zealand and troubleshoot failed render jobs. I also make sure stage and render environments are up to date.

Q&A

What is something surprising about your job that most people might not know?

The render wrangler position on Avatar sequels, more than other shows, requires a lot of interaction with the various departments and you need a general understanding of the technology and workflow being used. On most days, I communicate with artists, developers, coordinators, and systems engineers and all the while having to be aware of what is happening on stage.

Is there a detail from Avatar: The Way of Water you want fans to know?

A tremendous amount of effort and attention to detail went into every single shot. It's an interesting and challenging project to work on as an artist or technical operator (even for the highly experienced) because you have to learn new workflows and technologies -- and the processes evolve as the production goes on.

What’s the most exciting thing about working on the sequels?

Watching the actors work on set. Also getting to see the quality of the virtual production renders, even though they are not even close to being final shots yet.

Best film industry advice you want to share?

You should always work on a project that gives you an opportunity to learn new things.

Learn More About Our Team

      • A.J. Briones

        Sequence Supervisor

        Quezon City, Philippines

      • Aashrita Kamath

        Art Director

        Kolkata, India

      • Amaya Gutierrez

        Assistant Art Director

        Mexico City, Mexico

      • Andrew Moffett

        Sequence Supervisor

        Annapolis, Maryland

      • Angelina Ramsey

        Lead Save Operator

        Los Angeles, California

      • Angelu Cayanan

        2nd Assistant Camera

        Philippines

      • Anneka Fris

        Animation Sequence Supervisor at Weta Digital

        New Zealand

      • Anthony Hernandez

        Lead Environment Artist

        Los Angeles, California

      • Ashna Shah

        Junior Lab Developer

        Los Angeles, California

      • Ben Milsom

        Live Action Art Director

        Lower Hutt, New Zealand

      • Bex Leybourne

        Lead Facial Animator at Wētā

        Sunderland, United Kingdom

      • Billy Barnhart

        Senior Data Manager

        Long Island, New York

      • Boryana Dimitranova

        RQC Team Member

        Bulgaria

      • Brenden Holster

        1st Assistant "A" Camera

        Perth, Australia

      • Buffy Bailey

        Stage Operator

        Newport Beach, California

      • Carla Meyer

        Dialect Coach

        New York, New York

      • Casey Schatz

        Simulcam and Techvis Integration

        Boston, Massachusetts

      • Chaerin Yoon

        Motion Editor

        Seoul, South Korea

      • Chika Hoffman

        I/O Data Manager

        Nishinomiya, Japan

      • Chris White

        Visual Effects Supervisor

        Dale City, Virginia

      • Christina Hall

        Environment Lead

        Granada Hills, California

      • Colbert Fennelly

        Technical Environment Lead

        Kilkenny, Ireland

      • Connor Gartland

        Virtual Production Stage Operator

        Columbus, Ohio

      • Cynthia Rivera

        Sequence Artist

        Arecibo, Puerto Rico

      • Dan Fowler

        Stage Operator Supervisor

        Klamath Falls, Oregon

      • Daphne Yap

        Concept Artist

        The Bay Area, California

      • Dean Lewandowski

        Environment Supervisor

        Orlando, Florida

      • Don De Castro

        Motion Edit Supervisor

        Manila, Philippines

      • Donald Dey

        Render Supervisor

        New Orleans, Louisiana

      • Edu Black

        Production Supervisor

        Long Beach, California

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